After steering Eurovision through five eventful years, the European Broadcasting Union (EBU) has announced that Martin Österdahl will be stepping down from his role as Executive Supervisor of both the Eurovision Song Contest and Junior Eurovision this summer.
A Trailblazing but Turbulent Tenure
Österdahl took on the role in 2020, succeeding long-time supervisor Jon Ola Sand just as the contest faced its first-ever COVID‑19 cancellation. Despite this unusual start, he managed to bring Eurovision back to the air:
2021 saw a safe return with hybrid shows in Rotterdam.
In 2022, he oversaw the decision to exclude Russia following the invasion of Ukraine.
2023 buzzed with emotion when the BBC hosted in support of Ukraine.
Most recently, Eurovision 2025 in Basel, under his leadership, reached a record audience of 166 million viewers
Credit: NTV
Österdahl also led a digital transformation by introducing the permanent slogan “United by Music”, and modernising the contest’s online presence, sponsor deals, and production values.
Faces Challenges Amid Controversies
Yet, his leadership was polarising. Organisers were subjected to intense pressure over:
Israel’s participation amidst global conflict,
Televote complaints—particularly Spain’s in 2025,
And the Malmö 2024 edition, which triggered controversy and even a jury announcement boo heard across the arena .
Despite this, Österdahl described Eurovision as “the honour of his professional life,” giving credit to the contest for its unifying power.
A New Era Begins — With Martin Green at the Helm
The baton will now pass to ESC Director Martin Green, who will assume interim duties while EBU searches for a new Executive Supervisor. EBU praised Österdahl’s leadership and commitment to setting a modern vision for Eurovision.
What’s Next for Eurovision?
As Eurovision approaches its 70th anniversary, the EBU is expected to double down on:
Strengthening trust in the televoting system,
Refining political neutrality versus broadcaster expectations,
And ensuring the contest continues to grow in digital reach and cultural impact—carrying forward the digital-first momentum started under Österdahl.
What are your thoughts on Österdahl stepping down? Will Martin Green steer Eurovision confidently forward, or will a new name restyling the role bring even bigger change? Let us know in the comments!
